May 30, 2007

swc 2007: day 1

As per our custom, we left late. As per the custom in SoCal, we hit traffic even though it was the middle of the day and we were in the middle of nowhere. We left the clear, warm desert and arrived in overcast, cool Del Mar about three hours later.

Between our late start and the traffic, we missed the first block of opening bands (Worth Dying For, Starfield and Leeland). Due to the fact that we had to get checked in at will-call (which was very speedy), we had to figure out where we were camping (which was very confusing), and we had to get our camp set up (which was very amusing), we also missed the second block (either Hawk Nelson or This Beautiful Republic with Dizmas (who, curiously, got their start at the high school about four miles from here)). No great shakes, as we were either unfamiliar with those bands (WDF, TBR, Dizmas) or unmoved to see them (the rest).

We finally got into the fairgrounds to hear Miles McPherson give the evening message. His message focused on young people (which was a trend, we would find) but was quite good. Unfortunately, Vanessa and I spent a good deal of it trying to find a seat, as they had already started filling up for the evening show: tobyMac.

So white rappers formerly of cheesy Christian rock bands aren't really my thing. And the whole diversity thing can really only go so far... I think. But tobyMac was good. Some of it was silly, and some of it was chaotic. (I always feel that way about rap shows, with everyone seemingly talking over each other. Feels out of control.) But he can sing surprisingly well for a rapper and a lot of the songs were pretty compelling. His DJ and backup singers were all more than capable and provided great support. The show was great, too, with the exception of the sound. (Problems with the sound on the grandstand stage were a recurring theme throughout the festival, so no demerits to tobyMac for that.)

Above all, though, his musicians were tight. The drummer mixed good ol' backbeats with island beats, syncopation and straight ahead hard rock beats. The bassist was smooth, whether laying down a funky foundation or showing off his chops with something more in the forefront. But the guitarist was the hallmark. Whether playing a rockstar electric guitar or a spanish classical acoustic or a filthy jazz trumpet (!), he was an absolute virtuoso. Taken as a group, tobyMac's musicians are worth the price of admission. Add to that the fun songs and it was a great opening headline for the festival.

After a long day, Vanessa and I tried to catch some of the late night acts (Jon Shabaglian and Margaret Becker) but were sort of unimpressed but completely exhausted. So we headed back to our tent and hit the hay. We knew the next day would be full (Red, Newsboys, Delirious?, Todd Agnew and lots more).

Posted by pcg at 7:51 AM | Comments (3)

May 29, 2007

swc 2007

Vanessa and I just got back from a long weekend at Spirit West Coast in beautiful Del Mar, CA. We're tired, encouraged, sore, hoarse, excited, inspired and awed. The entirety of the festival was a hallmark moment in my life, so I'll probably be talking about it for a while here. Music, messages and movement: what am I doing with my life?

Posted by pcg at 9:11 AM | Comments (0)

May 4, 2007

inane thoughts

  • Bass Ale is delicious. I'd been on such a Newcastle kick for so long that I'd forgotten about its hoppier countryman.
  • New Mexico chile powder is hotter than the normal gringo "chili powder". And a little ground cayenne goes a LONG way. As a result, I now have something resembling molten lava cooking on my stove where there was supposed to be chili.
  • Sometimes I get grumpy when I think of all of the good music I've missed. For instance, a couple of days ago I heard Elton John's "Goodbye Yellow Brick Road" for the first time, only as a Keane cover. As a cover, and as a song, it is one of the most haunting and delicate and nostalgic songs I've ever heard; upon listening to it a couple of times, I felt like I had known it forever.
  • Two bassists have left indelible marks on my impression of musicians and, specifically, people who play the bass: John Avila from Oingo Boingo and Adam Clayton from U2. Avila is a madman that can shred in any style of music. But Clayton is the funny one; I first saw a picture of him in the Rattle and Hum liner notes and thought he was the coolest, mellowest rock star ever. It's only after I found out that someone ELSE was, in fact, "The Edge" and he was just "Adam Clayton" that I was a little disappointed. But still, the picture of coolness has always stuck with me.
Posted by pcg at 4:42 PM | Comments (2)